Langston Hughes était un poète et militant de la cause noire des années 20. Son homosexualité était notoire et lui a causé bien des problèmes. Dans un style impressionniste, le film célèbre la période artistique et culturelle gay et black connue sous le nom de Harlem Renaissance à New York.
L’enregistrement original de l’hommage rendu à Langston Hughes à sa mort en 1967 ouvre le film. S’ensuit une composition faite d’archives et de scènes interprétées par des comédiens. Les funérailles sont remises en scène ainsi que les speak-easy gays, les photographies de Robert Mapplethorpe, la drague jazzy et esthétisée à l’extrême. Des poèmes et des critiques des contemporains de Langston Hughes composent la bande-son.Il est question d’homophobie et de racisme bien sûr, mais également du statut de l’artiste et de l’intellectuel noir dans un monde dominé par les blancs. Un classique du film « queer ».

Réalisateur : Isaac Julien
1989, 40′, dvd, vo stf
Docu-fiction impressionniste, UK


Isaac Julien – Réalisateur
Wayson Jones – Compositeur
Peter Spencer – Compositeur
Nadine Marsh-Edwards – Productrice
Trevor Mathison – Compositeur
Derek Brown – Décorateur

ACTEURS
Ben Ellison… Alex
Akim Mogaji… James
Dencil Williams… Marcus
James Dublin… Carlos
Jimmy Somerville… Angel
Langston Hughes… dans son propre rôle
Matthew Baidoo… Beauty
John Wilson… Karl
Guy Burgess… Dean
Harry Donaldson… Leatherboy
Stuart Hall… Voix britannique

Langston Hughes was a militant black rights poet of the 20s. His homosexuality was notorious and caused him a lot of problems. In an impressionistic style, the film celebrates the gay black artistic period in New York known as the Harlem Renaissance.
The film opens with the original soundtrack of the tribute to Langston Hughes on his death in 1967. A composition put together from archives and scenes interpreted by actors follows. The funeral is re-staged as are the gay speakeasies, Robert Mapplethorpe’s photos, and an extremely jazzy and estheticized pick-up scene. Poems and critiques from Langston Hughes’ contemporaries make up the soundtrack.Of course it’s about homophobia and racism. But it’s also about the status of the artist and black intellectual in a world dominated by whites. A « queer » film classic.

A black and white, fantasy-like recreation of high-society gay men during the Harlem Renaissance, with archival footage and photographs intercut with a story. A wake is going on, with mourners gathered around a coffin. Downstairs is an elegant bar where tuxedoed men dance and talk. One of them has a dream in which he comes upon Beauty, who seems to reject him, although when he awakes, Beauty is sleeping beside him. His story and his visits to the jazz and dance club are framed by voices reading from the poetry and essays of Hughes and others. The text is rarely explicit, but the freedom of gay Black men in the 1920s in Harlem is suggested and celebrated visually.


Isaac Julien – Director
Wayson Jones – Composer
Peter Spencer – Composer
Nadine Marsh-Edwards – Producer (producer)
Trevor Mathison – Composer
Derek Brown – Production Designer


Cast
Ben Ellison as Alex
Akim Mogaji as James
Dencil Williams as Marcus
James Dublin as Carlos
Jimmy Somerville as Angel
Langston Hughes as Himself
Matthew Baidoo as Beauty
John Wilson as Karl
Guy Burgess as Dean
Harry Donaldson as Leatherboy
Stuart Hall as British voice

Dir: Isaac Julien
Impressionistic docu-fiction, UK
1989, 40′, dvd, Fr. subtitles



Photo by Sunil Gupta, The Last Angel of History and After George Platt Lynes Nudes with a Twist 1952 (from Isaac Julien’s Looking for Langston), 1989

CONTACT
BQHL / France / [email protected]



FESTIVALS
2010 | Black Movie, Geneva | 12>21 february 2010 | www.blackmovie.ch/archives/2010/en/film.php?id=639
* SECTION: Bad Sort (« queer » films) / Mauvais genre (films « queer »)