Murmures
Le Virtual Museum of Contemporary African Art (VMCAA)
novembre 2002 | | Arts plastiques | Pays-Bas
Français
présente la seconde édition de son magazine en ligne
« Kofi Setordji’s genocide monument. Depicting the incomprehensible »
Wim Bossema on the genocide monument of Kofi Setordji.
« The lure of the exotic »
Lucette ter Borg on boundaries in the international art world for non-western artists.
« I have a global atenna »
Rutger Pontzen interviewed the former director of the Documenta, Okwui Enwezor.
Two articles on the biennale of Dakar, Senegal:
« A corridor decorated with red roses »
by Marnel Breure
« Dakart 2002: behoort Afrikaanse kunsthype alweer tot het verleden? « (only available in Dutch)
by Alite Thijsen
Because of the running exhibitions by 6 Ghanaian artists, two articles on contemporary Ghanaian art history:
« Contemporary art from Ghana. An overview »
by painter and poet George Hughes
« The Colour of the Fine arts in Ghana »
by Rhoda Woets
Set rubrics
Who is Who with Ineke de Hoog of gallery ‘Stones in Spirit »
Column by Henno Heggenkamp (Foundation Bijlmermeerkunst) on a project where no goods but art is transported to and from Africa
Exchange on the guest studio of the Thami Mnyele Foundation in Amsterdam
Wim Bossema on the genocide monument of Kofi Setordji.
« The lure of the exotic »
Lucette ter Borg on boundaries in the international art world for non-western artists.
« I have a global atenna »
Rutger Pontzen interviewed the former director of the Documenta, Okwui Enwezor.
Two articles on the biennale of Dakar, Senegal:
« A corridor decorated with red roses »
by Marnel Breure
« Dakart 2002: behoort Afrikaanse kunsthype alweer tot het verleden? « (only available in Dutch)
by Alite Thijsen
Because of the running exhibitions by 6 Ghanaian artists, two articles on contemporary Ghanaian art history:
« Contemporary art from Ghana. An overview »
by painter and poet George Hughes
« The Colour of the Fine arts in Ghana »
by Rhoda Woets
Set rubrics
Who is Who with Ineke de Hoog of gallery ‘Stones in Spirit »
Column by Henno Heggenkamp (Foundation Bijlmermeerkunst) on a project where no goods but art is transported to and from Africa
Exchange on the guest studio of the Thami Mnyele Foundation in Amsterdam
English
presents the second edition of Review, its online magazine
« Kofi Setordji’s genocide monument. Depicting the incomprehensible »
Wim Bossema on the genocide monument of Kofi Setordji.
« The lure of the exotic »
Lucette ter Borg on boundaries in the international art world for non-western artists.
« I have a global atenna »
Rutger Pontzen interviewed the former director of the Documenta, Okwui Enwezor.
Two articles on the biennale of Dakar, Senegal:
« A corridor decorated with red roses »
by Marnel Breure
« Dakart 2002: behoort Afrikaanse kunsthype alweer tot het verleden? « (only available in Dutch)
by Alite Thijsen
Because of the running exhibitions by 6 Ghanaian artists, two articles on contemporary Ghanaian art history:
« Contemporary art from Ghana. An overview »
by painter and poet George Hughes
« The Colour of the Fine arts in Ghana »
by Rhoda Woets
Set rubrics
Who is Who with Ineke de Hoog of gallery ‘Stones in Spirit »
Column by Henno Heggenkamp (Foundation Bijlmermeerkunst) on a project where no goods but art is transported to and from Africa
Exchange on the guest studio of the Thami Mnyele Foundation in Amsterdam
Wim Bossema on the genocide monument of Kofi Setordji.
« The lure of the exotic »
Lucette ter Borg on boundaries in the international art world for non-western artists.
« I have a global atenna »
Rutger Pontzen interviewed the former director of the Documenta, Okwui Enwezor.
Two articles on the biennale of Dakar, Senegal:
« A corridor decorated with red roses »
by Marnel Breure
« Dakart 2002: behoort Afrikaanse kunsthype alweer tot het verleden? « (only available in Dutch)
by Alite Thijsen
Because of the running exhibitions by 6 Ghanaian artists, two articles on contemporary Ghanaian art history:
« Contemporary art from Ghana. An overview »
by painter and poet George Hughes
« The Colour of the Fine arts in Ghana »
by Rhoda Woets
Set rubrics
Who is Who with Ineke de Hoog of gallery ‘Stones in Spirit »
Column by Henno Heggenkamp (Foundation Bijlmermeerkunst) on a project where no goods but art is transported to and from Africa
Exchange on the guest studio of the Thami Mnyele Foundation in Amsterdam
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