Fiche Film
Cinéma/TV
LONG Métrage | 2022
Aisha ne s’envolera plus
Pays concerné : Égypte
Genre : drame
Type : fiction

Français

Aisha, aide-soignante auprès de personnes âgées, vit dans un quartier du Caire où elle découvre la société africaine souterraine, remplie de tensions entre différents groupes. Coincée dans une relation sans avenir, la routine, la pression et la pénibilité de son travail la conduisent dans une impasse.

Film en développement, Fabrique des cinémas du monde Cannes 2022

Producteur.rice : Sawsan Yusuf
Production : Bonanza films est une société de production basée au Caire et établie depuis 2019. Son but est d’aider à développer l’industrie du cinéma en co-produisant ou produisant des premiers ou seconds projets de courts et longs métrages. Elle a produit deux courts métrages de Morad Mostafa, Henet Ward et Khadiga

English

Aisha can’t fly away anymore
Aisha, a Somali carer for elderly patients lives in an Egyptian neighborhood witnessing the underworld of African society where there is tension between the groups. Stuck in a loveless relationship, routine and pressure of dreary work lead her into an impasse.

Aisha, a Somali young woman of 26-years-old who works as a health carer for elderly patients, lives in Ain-Shams a neighborhood in the heart of Cairo where she witnesses the underworld of growing African migrants’ society and the tension between the different groups. Routine, pressure of dreary work and being stuck in a loveless relationship with an Egyptian cook; while being involved with an Egyptian gang that controls her neighborhood and blackmails her to steal apartments’ keys from the old patients, makes her dreams and violent nightmares cross to her reality and leads her into an impasse.







DIRECTOR’S STATEMENT

The story I’m telling takes place where I spent my childhood and early teenage years. When I returned after years, an African community had emerged within the heart of Cairo. They came from different countries looking for work, peace or asylum away from war and starvation. They formed their own world with their own terms and rules. Some worked hard in under-paid jobs for a living but others rebelled against their inevitable fate of acquiescence and became outlaws, but for both sides and their families just surviving the day is considered heroic.

While riding a microbus there, an African girl with a tired face sat beside me and slept; she woke up frightened and went into hysterical crying. I wondered a lot about that girl’s background. Then my character, Aisha, started to answer my questions; a lonely girl trapped between the two survival mechanisms of her society facing the same social pressure from a bigger universe which is the Egyptian society, and despite living among people who resembles her in color. This is not enough to make her feel belonging but it is enough to make her feel alienated; like the ostrich, a bird that can’t live with them and can’t fly one meter above the earth’s surface.

This is what I want to show in this film by following Aisha’s life and capturing the slow effervescence under the surface of her calmness till the point of despair then explosion.
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