Trente cinq ans après, l’histoire du crash du vol 571, dans la cordillière des Andes, n’a pas perdu son impact dramatique. Joueurs d’une équipe uruguayéne de rugby, les 45 passagers étaient en route pour passer la fin de semaine au Chili. Une tempête de neige transforme leur voyage en un test de resistence au froid et à la faim pendant 72 jours. Ils furent obligés de faire le choix difficile de manger les compagnons morts afin de survivre. Vieil ami des survivants, le réalisateur Gonzalo Arijon a convaincu le groupe de se rendre sur la scène du crash avec leurs familles afin de reconstituer la tragédie en revivant certaines séquences. Le photographe du film a été assassiné par le chef opérateur uruguayén vivant au Brésil César Charlone (nominé pour un Oscar pour « Cité de Dieu »).

STRANDED: I HAVE COME FROM A PLANE THAT CRASHED ON THE MOUNTAINS, de Gonzalo Arijón, France, 2007, 127′
Couleur et N&B, en espagnol avec des sous-titres anglais


__________________________


Trinta e cinco anos depois, a história da queda do voo 571, na cordilheira dos Andes, não perdeu seu componente dramático. Jogadores de um time de rúgbi uruguaio, os 45 passageiros originais planejavam apenas passar um fim-de-semana no Chile. Uma tempestade no caminho transformou sua jornada numa drástica prova de resistência ao frio e à fome por 72 dias, que passou pela dificílima decisão de comer a carne dos companheiros mortos. Velho amigo dos sobreviventes, o director Gonzalo Arijon convence-os a revisitarem com suas famílias o cenário do acontecimento mais marcante de suas vidas, reconstituindo sua provação em sequências re-encenadas. A fotografia é assinada pelo uruguaio radicado no Brasil César Charlone (indicado ao Oscar por « Cidade de Deus »).

STRANDED: I HAVE COME FROM A PLANE THAT CRASHED ON THE MOUNTAINS, de Gonzalo Arijón, França, 2007, 2h07

Thirty-five years on, the story of the flight 571 crash in the Andes has not lost impact. The 45 passengers on board – mostly players of a Uruguayan rugby team -were en route to Chile to spend the week-end. A snow storm on the way turned their journey into a prolonged endurance test to freezing temperatures and hunger for 72 consecutive days. They were also forced to make a life or death decision to eat their dead friends in order to survive. As an old friend of the survivors, director Gonzalo Arijon convinced the group to visit the scene of the crash with their families and reenact their ordeal in a series of restaged sequences. The film’s photography was shot by the Uruguayan cinematographer living in Brazil, César Charlone (an Oscar nominee for « City of God »).

2008, 126 mins, Color and B&W, France
In Spanish with English subtitles

« Several of these survivors are friends of mine. We shared the same carefree teenage years. I was shocked by their disappearance and dumbfounded when they came back to life. I shared whole nights with them, listening to their stories which constantly revolved around their survival up there. Their tragic-but also amazing!-epic continued to haunt them, day after day, year after year. And it’s still the case today. Despite a best-seller [Alive! The Story of the Andes Survivors by Piers Paul Read, five million copies sold in English alone], and despite a Hollywood movie [Alive by Frank Marshall, a 1993 Disney-Paramount co-production], we still have the feeling that this story has never been told from the inside, that what they have to say has never really been heard. And there is always this growing feeling among them that they have something to tell us, to transmit to us, that is way beyond an « enormous anecdote »… Thirty years after the event, I suggested making a film about it. A film that tells of the creation of a new society, cut off from the rest of the world, requiring the reinvention of codes and rules. No leaders-in the traditional sense of the term-but rather a collection of personalities that are gradually revealed, which harmoniously head towards a common objective: to get out of
this hell together, and return to the land of the living together. An exemplary story about exceeding oneself, getting to know one another, that deals with the importance of friendship and solidarity in extreme situations. »
-Gonzalo Arijón

A film by Gonzalo Arijón
Directors of Photography: César Charlone & Pablo Hernán Zubizarreta
Color Correction: Guillermo Fernandez
Film Editors: Claudio Hughes, Samuel Lajus & Alice Larry
Sound Designer: Fabian Oliver
Original Music: Florencia Di Concilio-Perrin
Sound Mixer: Georges Lafitte
Produced by Marc Silvera

with
The 16 Survivors
Jose Pedro Algorta – Roberto Canessa – Alfredo Delgado – Daniel Fernández – Roberto François – Roy Harley – José-Luis Inciarte – Alvaro Mangino – Javier Methol – Carlos Páez – Fernando Parrado – Ramón Sabella – Adolfo Strauch – Eduardo Strauch – Antonio Vinzintín – Gustavo Zerbino

and
José Gilberto – Bravo Castro – Laura Inés Canessa – Antonio Caruso
Juan Catalán – Sergio Catalán – Jorge Massa – Juan Pedro Nicola –
Mateo Nicola – Carlos Páez-Vilaró – Madelón Rodríguez – Alejandra Strauch Gustavo Zerbino Payssé – Lucas Zerbino Payssé – Martin Zerbino Payssé – Sebastian Zerbino Payssé

A coproduction
ARTE France – Ethan Productions – La Realidad
The ITVS – International Media Development Fund (IMDF)

in association with
Alea Doc & Films (Barcelona)
Morocha Films (Buenos Aires)
Sylicone (Paris)

France – 2008 – 126 mins – Color and B&W – In Spanish with English subtitles

Press materials are available at www.zeitgeistfilms.com/stranded

A ZEITGEIST FILMS RELEASE
247 CENTRE ST – 2ND FL – NEW YORK – NY 10013
www.zeitgeistfilms.com – mail@zeitgeistfilm


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2008 | SIFF – Seattle Film Festival | SEATTLE, Usa | www.siff.net
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