Cinéma/TV, Littérature / édition
ARTS, BEAUX ARTS | Avril 2012
Black Camera – Close-Up: Nothing But a Man
Revue : Black Camera
Edition : Indiana University Press
Pays d’édition : États-Unis
Parution : Avril 2012
Français
Vol. 3, Number 2 – Spring 2012
Articles
Toward a Transnational African Cinema: Image and Authenticity in La Vie sur terre
-Sarah Hamblin
The Rosa Parks Story: The Making of a Civil Rights Icon
– Delphine Letort
Interviews
Gathering the Scattered Pieces: A Conversation with Akin Omotoso
– Jane Bryce
Filmmaking is My Life, Politics My Mistress: donnie l. betts
– Michael T. Martin
Close-Up: Nothing But a Man
Introduction
-Michael T. Martin and David Wall
Nothing But a Man: Filmmaker’s Perspective
– Robert Young
Nothing But a Man: Cinematic Principles and Practice at Work
– Michael T. Martin and David Wall
Can’t Stay, Can’t Go: What Is History to a Cinematic Imagination?
– Terri Francis
Historicity and Possibility in Nothing But a Man: A Conversation with Khalil Muhammad
– Michael T. Martin and David Wall
Civil Rights, Labor, and Sexual Politics on Screen in Nothing But a Man (1964)
– Judith E. Smith
Close-Up Gallery: Nothing But a Man
Africultures Dossier
The Ambivalence of French Funding
– Olivier Barlet
Articles
Toward a Transnational African Cinema: Image and Authenticity in La Vie sur terre
-Sarah Hamblin
The Rosa Parks Story: The Making of a Civil Rights Icon
– Delphine Letort
Interviews
Gathering the Scattered Pieces: A Conversation with Akin Omotoso
– Jane Bryce
Filmmaking is My Life, Politics My Mistress: donnie l. betts
– Michael T. Martin
Close-Up: Nothing But a Man
Introduction
-Michael T. Martin and David Wall
Nothing But a Man: Filmmaker’s Perspective
– Robert Young
Nothing But a Man: Cinematic Principles and Practice at Work
– Michael T. Martin and David Wall
Can’t Stay, Can’t Go: What Is History to a Cinematic Imagination?
– Terri Francis
Historicity and Possibility in Nothing But a Man: A Conversation with Khalil Muhammad
– Michael T. Martin and David Wall
Civil Rights, Labor, and Sexual Politics on Screen in Nothing But a Man (1964)
– Judith E. Smith
Close-Up Gallery: Nothing But a Man
Africultures Dossier
The Ambivalence of French Funding
– Olivier Barlet
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