Cinéma/TV, Littérature / édition
| Septembre 2016
Black Camera – Close-Up: Black Film and Black Visual Culture
Revue : Black Camera
Edition : Indiana University Press
Pays d’édition : États-Unis
Pages: 262
Parution : Septembre 2016
Français
Spike Lee’s Documentaries: The Creative Art of Making Nonfiction
– Delphine Letort
Addressing the « Negro Problem »: Rethinking the Coon and the Mammy in King of the Zombies and Revenge of the Zombies
– Toni Pressley-Sanon
Every Nigger is a Star: Reimagining Blackness from Post-Civil Rights America to Postindependence Caribbean
– Erica Moiah James
Benoît Ramampy (1947-1996): A Life Dedicated to Cinema
– Karine Blanchon
On Practicing an Independent African American Cinema: An Interview with Kevin Willmott
– De Witt Douglas Kilgore
Close-Up: Black Film and Black Visual Culture
Introduction
– Keith Harris
« Black is… » and That’s the Beauty of It: Ten Propositions Concerning the Visible and the Visual, in Consideration of Black Cinema and Black Visual Culture
– Keith Harris
Building the Black (Universal) Archive and the Architecture of Black Cinema
– Lauren McLeod Cramer
B.A.D. (Black Abstraction Dreaming): A Conversation with Kevin Jerome Everson
– Michael Boyce Gillespie
In a (Not So) Silent Way: Listening Past Black Visuality in Symbiopsychotaxiplasm
– Charles « Chip » P. Linscott
Blackness and the Image of Motility: A Suspenseful Critque
– Alessandra Raengo
Africultures Dossier
« Coming to Terms with the Past Will Allow One to Continue »: Interview with Leyla Bouzid about As I Open My Eyes
– Olivier Barlet
« I Am Not Interested in Denouncing Polygamy: My Film Goes Beyond That »: Interview with Angèle Diabang about So Long a Letter
– Olivier Barlet
« It Is Up to Us to Work on Our Own Complexes »: An Interview with Alice Diop
– Olivier Barlet
African Women and the Documentary: Storytelling, Visualizing Hisotry, from the Personal to the Political
– Beti Ellerson
– Delphine Letort
Addressing the « Negro Problem »: Rethinking the Coon and the Mammy in King of the Zombies and Revenge of the Zombies
– Toni Pressley-Sanon
Every Nigger is a Star: Reimagining Blackness from Post-Civil Rights America to Postindependence Caribbean
– Erica Moiah James
Benoît Ramampy (1947-1996): A Life Dedicated to Cinema
– Karine Blanchon
On Practicing an Independent African American Cinema: An Interview with Kevin Willmott
– De Witt Douglas Kilgore
Close-Up: Black Film and Black Visual Culture
Introduction
– Keith Harris
« Black is… » and That’s the Beauty of It: Ten Propositions Concerning the Visible and the Visual, in Consideration of Black Cinema and Black Visual Culture
– Keith Harris
Building the Black (Universal) Archive and the Architecture of Black Cinema
– Lauren McLeod Cramer
B.A.D. (Black Abstraction Dreaming): A Conversation with Kevin Jerome Everson
– Michael Boyce Gillespie
In a (Not So) Silent Way: Listening Past Black Visuality in Symbiopsychotaxiplasm
– Charles « Chip » P. Linscott
Blackness and the Image of Motility: A Suspenseful Critque
– Alessandra Raengo
Africultures Dossier
« Coming to Terms with the Past Will Allow One to Continue »: Interview with Leyla Bouzid about As I Open My Eyes
– Olivier Barlet
« I Am Not Interested in Denouncing Polygamy: My Film Goes Beyond That »: Interview with Angèle Diabang about So Long a Letter
– Olivier Barlet
« It Is Up to Us to Work on Our Own Complexes »: An Interview with Alice Diop
– Olivier Barlet
African Women and the Documentary: Storytelling, Visualizing Hisotry, from the Personal to the Political
– Beti Ellerson
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