Le photographe Mekhar Kiyoso travaille dans le musée d’Afrique pour un shooting photo. Son regard est aussitôt perturbé lorsqu’il aperçoit à travers son objectif un musée macabre, tel un mausolée de son héritage culturel. Possédé par les objets du musée, il se souvient d’être aliéné par ces artefacts. Lobi Kuna (qui en lingala signifie aussi bien après-demain qu’avant-hier) raconte l’histoire de son appropriation du passé, pour se projeter dans le futur, au cours des rénovations du Musée Royal de l’Afrique Centrale à Tervuren.

Photographer Mekhar Kiyoso is working in the Africa Museum for a photo shoot. His gaze is immediately disturbed when he sees through his lens a macabre museum, like a mausoleum of his cultural heritage. Possessed by the objects in the museum, he remembers being alienated by these artifacts. (which in Lingala means the day after tomorrow as well as the day before yesterday) tells the story of his appropriation of the past, to project himself into the future, during the renovations of the Royal Museum for Central Africa in Tervuren.