Fiche Livre
ARTS, BEAUX ARTS | Avril 2011
Black Camera – The New Series
Revue : Black Camera
Edition : Indiana University Press
Pays d’édition : États-Unis
Parution : Avril 2011


Vol. 2, Number 2 – Spring 2011
Hyenas in the Enchanted Brothel:
« The Naked Truth » in Djibril Diop Mambéty
Greg Thomas
« Let It Go Black »:
Desire and the Erotic Subject in the Films of Bill Gunn
Marlo D. David
« Redemptive Softness »:
Interiority, Intellect, and Black Women’s Ecstacy in
Kathleen Collin’s Losing Ground
L.H. Stallings
All the Sad Young Men:
Whiteness as Melancholic Haunting in Black Queer Independent Film
Samuel Park
The « Top » of the Heap: Race, Manhood, and Legitimation in
My Life in Porn: The Bobby Blake Story
Terry Rowden
Our Stories Have Never Been Told:
Preliminary Thoughts on Black Lesbian Cultural Production
as Historiography in The Watermelon Woman
Matt Richardson
Variant Sexualities and African Modernity in
Joseph Gaye Ramaka’s Karmen Geï
Babacar M’Baye
From a Real Place and Real People:
Interview with Mississippi Damned Writer/Director Tina Mabry
Marlon Rachquel Moore
Africultures Dossier
African Film’s Meaningful Body
Olivier Barlet
Poster Gallery: Coming Attractions
Andrea Barnwell and Valerie Cassel Oliver, eds.,
Cinema Remixed and Reloaded:
Black Women Artists and the Moving Image Since 1970

Phyllis Lynne Burns
Film Reviews
Kareem Mortimer, Children of God
Angelique V. Nixon
Dennis Dortch, A Good Day to Be Black and Sexy
Dolores V. Sisco
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