Murmures
Exploding the Canon: On the African Writers Series by Anna Clark
décembre 2012 | Divers | Littérature / édition | Ouganda
Source : Los Angeles Review of Books

© Mongo Beti, James Currey et Edouard Maunick aux journées littéraires de Berlin, 1979 (crédits : L’Harmattan/photo George Hallett)
Français
In the midst of a continent’s roar of independence, the African Writers Series was launched 50 years ago by Heinemann, a London publisher.
This was the same year Uganda, Algeria, Burundi, and Rwanda emerged from colonial rule. Tanzania and Sierra Leone did the same the year before; Kenya, Malawi, and Zambia were next. It is no coincidence that the cascading declarations of independence came just as African writers were afire with their own stories. Unsatisfied with a colonial canon that filtered stories of Africa through the perspective of white Westerners and pretended those were the only stories worthy of the printed page, the independence generation of artists claimed space for their own voices, their own leaps of imagination, their own fanciful styles.
An ambitious group gathered in that pivotal year, 1962, for the African Writers Conference at Makerere University in Uganda. Among the attendees were Chinua Achebe and Wole Soyinka of Nigeria, as well as Ngugi wa Thiong’o of Kenya (then James Ngugi) and Rajat Neogy, a Kampala native who would soon launch Transition Magazine (…)
[Read Anna Clark’s review published in Los Angeles Review of Books]
À lire aussi :
[« Quand l’Afrique est un marché… littéraire ! à propos de l’ouvrage de James Currey »], par Christophe Cassiau-Haurie
An ambitious group gathered in that pivotal year, 1962, for the African Writers Conference at Makerere University in Uganda. Among the attendees were Chinua Achebe and Wole Soyinka of Nigeria, as well as Ngugi wa Thiong’o of Kenya (then James Ngugi) and Rajat Neogy, a Kampala native who would soon launch Transition Magazine (…)
[Read Anna Clark’s review published in Los Angeles Review of Books]
À lire aussi :
[« Quand l’Afrique est un marché… littéraire ! à propos de l’ouvrage de James Currey »], par Christophe Cassiau-Haurie
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