Gilles Premel (Dr.campana)

Musicien percussionniste / Professeur de Percussion Musicien percussionniste spécialisé dans la musique afro-caribéenne, afro-brésilienne et afro-cubaine et leurs sources africaines.



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Cours de lateralisation pour enfants cette années à La Fleche de Bordeaux.

6/12 ans et 13/ xxx ans !







residence @ Santa Fe UNV of fine arts and music.





PROFESSEUR DE PERCUSSION: www.musique-bordeaux.com cours à L'I.R.E.M. rentrée 2010-2016 cours percussion enfants et adultes débutants et avancé ainsi que le public des traumas craniens et autistic….bordeaux



Instruments pratiqués : conga, bongo, timbales, bata, berimbau, timba, repinique, pandeiro, tamborim, reco-reco, chékéré, agogo, gan,cajon péruvien,cajon cubain, quijada, surdo, batterie.



C U R R I C U L U M V I T A E Franco-américain, né le 01 septembre 1961 à Versailles.



Qualifications : Musicien percussionniste spécialisé dans la musique afro-caribéenne, afro-brésilienne et afro-cubaine et leurs sources d'afrique de l'ouest. Chercheur : travail en cours sur les cultures Yoruba, Fon, Congo…., leurs transpositions en amérique latine et leurs me tissages avec la musique occidentale du siècle dernier.



Expériences et formations



1975 : Conservatoire du 4eme arrondissement de Paris avec Francoise Gagneux, spécialisation batterie et percussion comtemporaine.



1976 : Ecole du cirque Gruss département mime.



1978 : Diplôme du b.a.f.a, stage de formation avec le F.C.V.F. et le C.P.C.V. sur les Arts visuel. (resp. de stage R.robert.

)

1979 : Percussions Congolaises avec Lucky ZEBILA au Centre Américain à Paris (croisement des cultures d'Afrique).



1980 : Percussions Traditionnelles Haïtiennes et Cubaines avec John AMIRA au Naropa Center à Boulder Colorado USA.



1982 – 84 : Percussions Afro-caribéennes avec Allan SILVA et son C.C.O (Celestrial Comunications Orchestra) enseignera par la suite dans son institut I.A.C.P à Paris.



1984 : Percussions Traditionnelles Brésiliennes avec Bira ALMEIDA "Mestre accordéon" de renommé mondiale et instigateur de la Capoeira aux U.S.A. ainsi que directeur musical et compositeur du célèbre groupe corpo santo à Sanfransico.



1985 : Stage de Percussions Cubaines avec Jerry GONZALES (Assistant pour les stages à Paris au centre de danse rue de Clichy)



1988-89 : Percussions Afro-cubaines avec LOS MUñEQUITOS de MATANZAS à Matanzas, Cuba. Diplôme du 3ème cycle du CONJUNTO FOLKLORICO NACIONAL de Cuba, la Havane.



1989-90 : Percussions Cubaines avec Roger FIXI, apprentissage des tambours batas et du cycle Congo.







Expérience dans L'enseignement Professionnel



1995- 98 : C.I.A.M. (Centre d'Investigation et d'Activités Musicales-Bordeaux) Professeur de Percussion Afro-cubaines et Afro-brésiliennes, instigateur du programme de percussions latines et de son Instrumentarium.



1997-2001 C.F.A.T. (Centre de Formation aux Arts Traditionnelles-Bordeaux) Professeur de Percussions Afro-cubaines et Afro-brésiliennes et Directeur de l'atelier de polyrythmie.



2001-2004 Conservatorio Josafat Roel pineda Lima, Pérou, résidence sur les percussions d'origines d'afrique de l'ouest en amérique latine et dans les caraïbes, leurs influences dans la musique afro-péruvienne de ce siècle.

2002-2006 : E.N.M.D.T. (Conservatoire National de Danse et Musique GABRIEL FAURE – Angoulême)



2007-2008 : EMD nerac atelier percussion afro-brésilienne



2010-2016 : IREM music School 

Enfants-adultes et formation professionnel et direction d'orchestre et latéralisation.



Professeur enseignant de Percussions Afro caribéennes et des musiques Latines en orchestre (avec pierre aubert) : maintes projet musicale pour le festivale Musique Métisse.



Dans les Groupes Suivants : – première partie a l'olympia avec Paul Mindi –

festival de Jazz au dunois avec le C.C.O d'Allan Sylva –



Elaboration d'un bloco de samba pour le Mardi gras du carnaval de San Francisco invité par Bira Almeida, musicien, écrivain, chercheur et fondateur de W.C.A. (World Capoeira Association). A partir de cette expérience, il créa la première "batteria" de samba à Santa -Fé, Nuevo Mexico, U.S.A. (banda girasol.) Directeur, de "bateria" dans plusieurs écoles de samba en France: "Axé " à Paris, "Sarava " à Tours, "Macunaima " à Bordeaux, puis forme le groupe "Timbalada Urbana" ensemble ethnic-métisse. –



Musicien percussionniste du groupe TUPI-NAGO Samba- Reggae Band. Ce groupe a pris ses sources musicales dans la région de Salvador de Bahia, bastion de la culture afro-brésilienne. Ce groupe fut parrainé par Etienne Roda-Gil et Rémy Kolpa-Kopoul journaliste à "Libération" spécialiste sur la musique brésilienne. Tournée européenne et première partie d'artistes brésiliens tels que Joao Bosco, Caetano Veloso, Gilberto Gil.Puis production discographique du groupe sous le label Mélodie Music et caramba productions. –

Musicien percussionniste du groupe ILU-YENKORI, Tambours bata et chants dédiés au panthéon afro-cubain et yoruba ainsi qu'aux pays appartenant aux ex-royaumes du Dahomey, (Togo, Ghana, Bénin.). Cette troupe de danseurs, chanteurs et percussionnistes ont été parmi les premiers en France à promouvoir les cultures de ce panthéon.grace au travail acharné de roger fixi.



Accompagnateur et formateur de la thématique Rythme et Famille, dans le mouvement des activités Reiki en Europe (Ibiza, Cologne) et au Canada (Vancouver). Il prend en charge l'aspect problématique du rythme dans le contexte de la dynamique de groupe dans les stages de formation des futurs maîtres en l'art du Reiki de Phillys lei Furumoto.



En 2000, intègre le groupe Lanaya à bordeaux. Avec un répertoire de musique mandingue, ce groupe comptait le soliste Ousseman souma de tambour et de danse issue du prestigieux ballet national JOLIBA. Gilles fait partie de ce groupe, en apportant le répertoire afro-cubain et afro-brésilien à partir desquels Lanaya evoluera vers une musique métisse. Changement marqué aussi par l'intégration d'artistes de différentes cultures tels que, Fato Camara, Mathias Agbokou, José Hernandez, patrice banchereau:akpon. FESTIVAL LES AFROLATINES MAQUIZ'ART à Eymet avec dois da bossa et Mohamed Bangoura.



avec MARCIA MARIA au Paradiso à AMSTERDAM ET BANDA RIO COPACABANA



Langues: Français Anglais (2ème langue maternelle) Espagnol Discographie: " Désert Mirage ", CCO Alan Silva (Phonogramme) "Dream off the Ground ", Future sound ensemble (Future sound ensemble) " Petit avec des grandes oreilles ", Bill Baxter (Polydor) " Tupi nago ", Tupi nago (Mélodie Music) Lenny LAFARGUE c.d. Roault Ficele c.d. percsussion sur plusieures titre mojo bleues…



travail en progré avec les technique TBF de lateralistion avec le publique : autiste et trauma cranenien.

Gilles Prémel 2 rue François Rabelais 33400 Talence France Phone: 00/33/664.41.02.54 E-mail: premelp@yahoo.fr Musician percussionist specializing in Afro-Caribbean music, Afro-Cuban and Afro-Brazilian and African sources. PERCUSSION INSTRUCTOR: Instruments played: conga, bongo, timbales, bata, berimbau, timba, repinique, pandeiro, tamborim, reco-reco, chékéré, agogo, gan, cajon Peruvian cajon Cuban quijada, surdo.drums CURRICULUM-VITAE French-american, born on 01 September 1961 at Versailles. Qualifications: Musician percussionist specializing in Afro-Caribbean music, Afro-Cuban and Afro-Brazilian and theyre African sources. Researcher: work in progress on Yoruba, Fon, Congo percussion and their transpositions in Latin America and their interchanges with the Western world.music of the last century. Experience and training 1975: Conservatory 4th sector of Paris with Francoise Gagneux, specialization comtemporary drums and percussion. 1976: School Circus Gruss in the mime department. 1978: Graduated from b.a.f.a, training with the F.C.V.F. And C.P.C.V. On the visual arts. (Resp. R.robert probation.)this diploma is a state diploma that enables you to work in any part of france with children from 4 on to 17 years of age. 1979: Congolese percussion with ZEBILA Lucky at the American Center in Paris (the crossroads of cultures from Africa). 1980: Traditional Percussion Haitian and Cuban with John AMIRA at Naropa Center in Boulder Colorado USA. 1982-84: Percussion Afro-caribean with Allan sylva and his C.C.O (Celestrial Comunications Orchestra) taught thereafter in his I.A.C.P institute in Paris. 1984: Brazilian Percussion with Bira Almeida "Mestre accordion" world-renowned and instigator of the Capoeira in the U.S.A. As musical director and composer of the famous group of Sanfran-cisco corpo santo. 1985:assisting cuban percussion with Jerry GONZALES (Assistant in Paris at the center of dance rue de Clichy on his afro-cuban percussion workshop)) 1988-89: Afro-cuban workshop in matanzas with LOS MUñEQUITOS of MATANZAS in Cuba. Diploma 3rd degree at the CONJUNTO FOLKLORICO Nacional de Cuba, Havana. 1989-90: Cuban Percussion with Roger FIXI, learning drums and the yoruba and Congo cycles.. Experience in teaching professional 1995-98: C.I.A.M. (Center for Investigation and Activities Musicales-Bordeaux) Professor of Percussion and Afro-cubaines Afro-brésiliennes, instigator of the program of Latin percussion and its Instrumentarium. 1997-2001 C.F.A.T. (Training Center for the Arts Traditionnelles-Bordeaux) Professor of Percussion and Afro-cuban Afro-brazillian percussion classes and Director of the polyrhythmic workshop in the school. 2001-2004 Conservatorio Josafat Roel pineda Lima, Peru, percussion residency on origins of west africa in Latin America and the Caribbean, their influences in the music of this century in modern music. 2002-2005: E.N.M.D.T. (National Conservatory of Dance and Music GABRIEL FAURE – Angoulême) Professor teacher on Percussive Afro Caribbean and Latin music in orchestras (see program this year): many Metis music projects. In the following groups: – The first part has olympia with Paul Mindi – Jazz festival in Orléans with the C.C.O Allan Sylva – Developing a bloco de samba for the Mardi Gras carnival in San Francisco invited by Bira Almeida, musician, writer, researcher and founder of W.C.A. (World Capoeira Association). From that experience, he created the first "batteria" samba in Santa -Fé, Nuevo Mexico, U.S.A. (Banda girasol.) Director, "bateria" in several samba schools in France: "AXE" in Paris, "Sarava" in Tours, "Macunaima" in Bordeaux, and then form the group "Timbalada Urbana" ethnic-métisse together. – Musician percussionist with TUPI-NAGO Samba- Reggae Band. The group took its musical sources in the region of Salvador de Bahia, the bastion of Afro-Brazilian culture. The group was sponsored by Etienne Roda-Gil and Rémy Kolpa-Kopoul journalist with "Liberation" expert on Brazilian music. European Tour and the first part of Brazilian artists such as Joao Bosco, Caetano Veloso, Gilberto Gil.Puis discographic production group under the label Melody Music and caramba productions. – Musician for ILU-YENKORI percussionist of the group, bata drums and songs dedicated to Afro-Cuban and Yoruba pantheon, as well as countries belonging to ex-royaumes of Dahomey, (Togo, Ghana, Benin.). This group of dancers, singers and percussionists were among the first in France to promote the cultures of this panthéon.grace the hard work of fixi roger. Accompanying trainer in the Rhythm and Family Issues, in the movement of Reiki activities in Europe (Ibiza, Cologne) and Canada (Vancouver). It supports the problematic aspect of the pace in the context of group dynamics in the training of future teachers in the art of Reiki of Phyllis lei Furumoto. In 2000, the group includes Lanaya in bordeaux. With a repertoire that Mandingo, this group included the soloist Ousseman Souma drum and dance after the prestigious National Ballet JOLIBA. Gilles is part of this group, bringing the Afro-Cuban and Afro-Brazilian directory from which Lanaya evolve towards a Metis music. Change also marked by the integration of artists from different cultures such as, Fato Camara, Mathias Agbokou, Jose Hernandez, patrice banchereau: akpon. Languages: French English (2nd language) Spanish Discography: "Desert Mirage," CCO Alan Silva (Phonogramme) "Dream off the Ground" Future sound set (Future sound together) "Small with big ears," Bill Baxter (Polydor) "Tupi nago" Tupi nago (Melody Music) Metis music concerts and festivals for students in the music schools PROGRAM 2002-2006 "Ocampo, Roxanne" a écrit : Hello Gilles, I am pasting below the link to our District website. Follow that path to get to our Certificated Application. Just print the application, complete, and return fax to my attention at (209) 830-3264. As I mentioned, we cannot qualify your background and education without a completed application. However, I will attach the information below to your application. Let me know if you have any questions regarding the required documents (credential, etc.). http://www.tracy.k12.ca.us/certificatedjobs.htm Thanks, Roxanne From: pamela premel [mailto:premelp@yahoo.fr] Sent: Thursday, November 15, 2007 2:41 PM To: Ocampo, Roxanne Subject: is it going thru.. Gilles Prémel 34, rue des Sablières 33800 Bordeaux France Phone: 05.56.92.19.94 E-mail: premelp@yahoo.fr Musician percussionist specializing in Afro-Caribbean music, Afro-Cuban and Afro-Brazilian and African sources. PROFESSOR OF PERCUSSION: Instruments played: conga, bongo, timbales, bata, berimbau, timba, repinique, pandeiro, tamborim, reco-reco, chékéré, agogo, gan, cajon Peruvian cajon Cuban quijada, surdo, battery. CURRICULUM-VITAE French-american, born on 01 September 1961 at Versailles. Qualifications: Musician percussionist specializing in Afro-Caribbean music, Afro-Cuban and Afro-Brazilian and African sources. Researcher: work in progress on Yoruba, Fon, Congo percussion and their transpositions in Latin America and their interchanges with Western world.music of the last century. Experience and training 1975: Conservatory 4th arrondissement of Paris with Francoise Gagneux, specialization comtemporaine drums and percussion. 1976: School Circus Gruss department mime. 1978: Graduated from b.a.f.a, training with the F.C.V.F. And C.P.C.V. On the visual arts. (Resp. R.robert probation.) 1979: Percussion Congolese ZEBILA with Lucky at the American Center in Paris (the crossroads of cultures from Africa). 1980: Traditional Percussion Haitian and Cuban with John AMIRA at Naropa Center in Boulder Colorado USA. 1982-84: Percussion Afro-caribean with Allan sylva and his C.C.O (Celestrial Comunications Orchestra) taught thereafter in his I.A.C.P institute in Paris. 1984: Brazilian Percussion with Bira Almeida "Mestre accordion" world-renowned and instigator of the Capoeira in the U.S.A. As musical director and composer of the famous group of Sanfran-cisco corpo santo. 1985:assisting cuban percussion with Jerry GONZALES (Assistant in Paris at the center of dance rue de Clichy on his afro-cuban percussion workshop)) 1988-89: Afro-cuban workshop in matanzas with LOS MUñEQUITOS of MATANZAS in Cuba. Diploma 3rd degree at the CONJUNTO FOLKLORICO Nacional de Cuba, Havana. 1989-90: Cuban Percussion with Roger FIXI, learning drums and the yoruba and Congo cycles.. Experience in teaching professional 1995-98: C.I.A.M. (Center for Investigation and Activities Musicales-Bordeaux) Professor of Percussion and Afro-cubaines Afro-brésiliennes, instigator of the program of Latin percussion and its Instrumentarium. 1997-2001 C.F.A.T. (Training Center for the Arts Traditionnelles-Bordeaux) Professor of Percussion and Afro-cuban Afro-brazillian percussion classes and Director of the polyrhythmic workshop in the school. 2001-2004 Conservatorio Josafat Roel pineda Lima, Peru, percussion residency on origins of west africa in Latin America and the Caribbean, their influences in the music of this century in modern music. 2002-2005: E.N.M.D.T. (National Conservatory of Dance and Music GABRIEL FAURE – Angoulême) Professor teacher on Percussive Afro Caribbean and Latin music in orchestras (see program this year): many Metis music projects. In the following groups: – The first part has olympia with Paul Mindi – Jazz festival in Orléans with the C.C.O Allan Sylva – Developing a bloco de samba for the Mardi Gras carnival in San Francisco invited by Bira Almeida, musician, writer, researcher and founder of W.C.A. (World Capoeira Association). From that experience, he created the first "batteria" samba in Santa -Fé, Nuevo Mexico, U.S.A. (Banda girasol.) Director, "bateria" in several samba schools in France: "AXE" in Paris, "Sarava" in Tours, "Macunaima" in Bordeaux, and then form the group "Timbalada Urbana" ethnic-métisse together. – Musician percussionist with TUPI-NAGO Samba- Reggae Band. The group took its musical sources in the region of Salvador de Bahia, the bastion of Afro-Brazilian culture. The group was sponsored by Etienne Roda-Gil and Rémy Kolpa-Kopoul journalist with "Liberation" expert on Brazilian music. European Tour and the first part of Brazilian artists such as Joao Bosco, Caetano Veloso, Gilberto Gil.Puis discographic production group under the label Melody Music and caramba productions. – Musician for ILU-YENKORI percussionist of the group, bata drums and songs dedicated to Afro-Cuban and Yoruba pantheon, as well as countries belonging to ex-royaumes of Dahomey, (Togo, Ghana, Benin.). This group of dancers, singers and percussionists were among the first in France to promote the cultures of this panthéon.grace the hard work of fixi roger. Accompanying trainer in the Rhythm and Family Issues, in the movement of Reiki activities in Europe (Ibiza, Cologne) and Canada (Vancouver). It supports the problematic aspect of the pace in the context of group dynamics in the training of future teachers in the art of Reiki of Phyllis lei Furumoto. In 2000, the group includes Lanaya in bordeaux. With a repertoire that Mandingo, this group included the soloist Ousseman Souma drum and dance after the prestigious National Ballet JOLIBA. Gilles is part of this group, bringing the Afro-Cuban and Afro-Brazilian directory from which Lanaya evolve towards a Metis music. Change also marked by the integration of artists from different cultures such as, Fato Camara, Mathias Agbokou, Jose Hernandez, patrice banchereau: akpon. Languages: French English (2nd language) Spanish Discography: "Desert Mirage," CCO Alan Silva (Phonogramme) "Dream off the Ground" Future sound set (Future sound together) "Small with big ears," Bill Baxter (Polydor) "Tupi nago" Tupi nago (Melody Music) Metis music concerts and festivals for students in the music schools PROGRAM 20