Jürgen Schadeberg

1931 Naissance de Jürgen Schadeberg le 18 mars à Berlin. 1946 Apprenti chez un photographe professionnel et étudiant à l’école d’optique et de photographie de Berlin. 1947 Photographe bénévole à l’agence de presse allemande, Hambourg. 1950 Départ pour l’Afrique du Sud. Photographe indépendant, il devient le directeur artistique de la revue Drum à Johannesburg et travaille également pour Time life, Black star et le journal Stern. 1956 -1960 Jürgen Schadeberg s’installe à Londres où il rejoint le Weekend Telegraph, l’Observer et le Sunday Times. 1964 -1966 Il dirige et édite la revue Camera Owner qui deviendra ensuite Creative camera. 1968 Départ pour l’Espagne où il travaille en qualité de photographe indépendant entre autres pour Lookout magazine. Il étudie la peinture auprès du peintre d’origine hongroise Baumgarten. 1969 Retour à Londres. Jürgen Schadeberg enseigne la photographie à l’École centrale des arts et du design. Production de documentaires. 1973 Il traverse l’Afrique en auto-stop. 1974 Commissaire d’expositions photographiques à la Withechapel art gallery. 1979 Jürgen Schadeberg enseigne à la New School, New York, puis à la Hochkunst Schule à Hambourg en 1980. 1980 -1984 Photographe indépendant en Allemagne et en Angleterre pour Die Zeit, New Society, The Sunday Times et The Observer. 1984 -1985 Il s’installe dans le sud de la France. 1985 De retour en Afrique du Sud, Jürgen Schadeberg dirige la production et la réalisation de documentaires et de fictions sur la vie politique, sociale et culturelle de la communauté noire. 1986 Édite un ouvrage sur les archives du magazine Drum 1987 – 2004 Expose en Afrique du Sud, Angleterre, Allemagne, France et États-Unis.

Juergen Schadeberg born in Berlin in 1931 belongs to a generation of photographers who started to document the political and cultural events of their time with a close look. Happy to have survived German fascism, he emigrated to South Africa in 1950, to a country which implemented perfect racial segregation under the Boers’ regime. As Art Director, editor and photographer he contributed substantially to the creation and success of the lifestyle-magazine « Drum » from Blacks for Blacks. « Drum » was founded in 1951, which was the year in which Apartheid became fixed constitutionally. Schadeberg reported about cultural, social and political daily events as well as about fashion and music and local celebreties. He was the only White among the editorial staff, apart from editor Jim Bailey. The slogan of the magazine was « live quickly, die young and look good if you are dead »

PLEASE NOTE: All Jurgen Schadeberg images are to be sourced solely via Jurgen Schadeberg. No photo agencies in South Africa, Europe and the States are permitted to sell his work. A limited set of editorial images are available via Getty Images. click for an Extensive CV Jurgen Schadeberg was born in Berlin in 1931 and, while still in his teens, worked as an apprentice photographer for a German Press Agency in Hamburg. In 1950 he emigrated to South Africa and became Chief Photographer, Picture Editor and Art Director on Drum Magazine. It was during this time that Jurgen photographed pivotal moments in the lives of South Africans in the fifties. These photographs represent the life and struggle of South Africans during Apartheid and include important figures in South Africa’s history such as Nelson Mandela, Moroka, Walter Sisulu, Yusuf Dadoo, Huddleston and many others who have been documented at key moments such as during The Defiance Campaign of 1952, The Treason Trial of 1958, The Sophiatown Removals and the Sharpeville Funeral in 1960. His images also capture key personalities and events in the jazz and literary world such as the Sophiatown jazz scene with Dolly Rathebe, Miriam Makeba, Hugh Masekela and Kippie Moeketsi. In 1964 Jurgen left South Africa for London and during the sixeties and seventies freelanced as a photojournalist in Europe and America for various prestigious magazines. He also taught at the New School in New York, the Central School of Art & Design in London and the Hoch Kunst School in Hamburg. During this period he curated several major exhibitions including « The Quality of Life » which opened the New National Theatre in 1976. Before returning to South Africa in 1985 Jurgen lived in London, Spain, New York and France. The photographs from this period represent a rich mix of social documentary work as well as some modernist, abstract images. Jurgen has had a series of major shows including a Retrospective at the South African National Gallery in Cape Town in 1996, a Retrospective in Dublin,2000, New York solo show 2001 a group show at La Maison Europeene de la Photographie, Paris, 2002, Solo show Berlin in 2003, Budapest 2004, a Retrospective in Nicephore Niepce in Chalon Sur Saone in 2004, Neumunster- 55 Years Retrospective – Luxembourg 2005, Bochum Museum Retrospective 2005 and 2006 a touring exhibition of new work « Voices from the Land » in South Africa. Numerous shows followed in 2006 and 2007 including London, Esslingen, Bayreuth, Koln, Belgium, Oslo, Tuscany, Kunsthalle Wien, Johannesburg. In 2007 Jurgen was awarded the Officer’s Verdienst Kreuz First Class by the German President. Jurgen has edited and published several photographic books including « The Finest Photos from the Old Drum », « The Fifties People of South Africa », « Mandela & The Rise of the ANC », « Voices from Robben Island », « Sof’town Blues », and three new books in 2002 « The Black & White Fifties », « The San of the Kalahari » & « Soweto Today ». « Witness – 52 years of pointing lenses at Life » was published in 2004 and in 2006 « Voices from the Land ». In 2007 he published « Jazz, Swing & Blues – 56 years of SA Jazz » and « Tales from Jozi – new colour work of Johannesburg today. Together with his producer wife Claudia Jurgen established The Schadeberg Movie Company to produce a series of some 15 documentaries about South African social, cultural and political history. Jurgen Schadeberg, sometimes known as « The Father of South African Photography », is a principle figure in South African and World Photography. His major body of work, which spans 60 years and incorporates a collection of some 100,000 negatives, captures a wealth of timeless and iconic images. Source: www.jurgenschadeberg.com/cv.htm